Five Things Thursday // 06.22.17

Come back every Thursday for a little blog gift from Young M of five things that are just plain good and you oughta know about.  Some of them things are gon' be exciting news and happenings over here at YMR / Hillpeople Headquarters -- and some of them are just gon' be exiting news and happenings from out in the massive, wildly-connected world.  Plain and simple.  Let's get to it.

1. Jason Isbell's practically perfect interview on the Daily Show:

 

It isn't often that my long-winded ass will just say -- "Really, that's all that needs to be said."  But really - that's all that needs to be said.  

And on a personal note -- this interview cleansed my "work" palate this morning and sure was a call-to-action to keep on with the good work ( for myself as an artist and the other artists I work with) just like Mr. Isbell.  

2. The Appalachian treasure Ron Smith and this amazing 10 minute trailer for "My Blue Star" :

Ron Smith - who was first introduced to me as "Kuzzen Wyldweed" - passed away suddenly this week.  He was a true gem and an active member (and one of the most honest, sweet supporters) of the Appalachian arts and music community.  I wrote about Ron on a blog I had many years ago and interviewed him about the film he had been working on about underground hillbilly rock and roller Hasil Adkins.   We became instant friends and have been friends ever since.  In his honor, I just wanted to post this trailer, which is still fascinating and wonderful -- just like Ron was -- and you can see it below:

 

I will never forget Ron's kindness toward me in some very challenging moments in my life and like so many his friends, family and honestly - fans of his unique, wise commentaries on life- I'll miss him everyday.  

3. Track Preview of David Vaughn Lindsey's EP Next -- Available for Digital Pre-Order tomorrow:

// Cover Art: Connie Collingsworth. // Cover Image: Melissa Stilwell // 

// Cover Art: Connie Collingsworth. // Cover Image: Melissa Stilwell // 

I'm writing a Why I Care post about the oh-so-fuckin-talented-I-can't-stand-it David Vaughn Lindsey soon -- but in the meantime, how's about a little sneak of audio for all y'all that follow along with this blog as a nifty reward?

I am so very proud to be involved -- in any capacity -- in helping David tell this story (which in part, is a story we share) through these touching, melodic songs.  If you put that jam on up there and don't feel somethin' about chronic struggle, self-awareness, and plain ol' fuckin up - then, well -- you just ain't listening.  It's a heavy record carried by a beautiful soul.  And as DVL would say -- that's for real.

4. Justin Payne's Coal Camp project has raised over $2k toward local food banks -- and we ain't done

Huge thanks to Don Duncan and V Club of Huntington, WV for hosting this event (Colter Wall and John Clay supporting this bill) and for all the holler people who came out for this cause as well as all those who have purchased Justin's record.   You can see the whole credits list at the bottom of the "Why I Care" blog HERE --  but I'll tell you I've done more than one "pride cry" about the goodness of the human spirit and the unifying power of music and stories.

Beyond this initial amount, I know Justin has already sold all the physical cd stock I gave him -- and I'm sending another box over Nellis way soon -- so, if you've been sleepin' on it, here's your chance again:

YMR: www.youngmarysrecord.com/store
ITUNES: https://goo.gl/mBG4HX
GOOGLEPLAY: https://goo.gl/NxmLeJ

5. Colter Wall's LP Praised as "Top 50 Records of 2017 So Far" by Rolling Stone:

While I ain't the biggest fan of "Year So Far" lists - I am a fan of a list that places Colter's record a stone's throw from Jason Isbell's new one (well, shitfire, this Five Things Thursday just went about full circle, didn't it?).  I am also a fan of a publication with the readership and size of Rolling Stone recognizing and praising a record like the one Colter made in today's music landscape.  Feels pretty good.  But to tell you the truth --I don't need nobody to tell me how good that record is or how good he is.  I've just always known.  

In case you've been sleepin on Colter's record -- or in a coma, really, if you follow along any of my psychotic social media things -- you can do that right hurr:

iTunes: http://smarturl.it/colterwall
Amazon: http://smarturl.it/ColterAmz
Google Play: goo.gl/bi1i8m

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*BONUS* : Jump on the Handmaid's Tale bandwagon

I tend to think folks who appreciate good music and storytelling (and my readers particularly, you sweet angel darlings, you) also appreciate good pop culture of any kind.  So I'ma try to do an unrelated music bonus each week, too.

If ya ain't watching the Handmaid's Tale -- as my pop culture sponge boyfriend says : Get. In There. On title alone, there is a suggestion this might be a "little house on the prairie" super lady melodrama thing -- don't let it lead you astray.  It's not just some ladies -- it's women, real fuckin' strong ones.  And It's not melodrama, or even drama -- it's stark scary-ass pseudo-reality.  This show is so dark and deep on story alone, but also a chilling commentary on the political climates of the past, the present, and the theoretical future told within a tense, jarring narrative.  Brilliant casting.  Brilliant cinematography. Brilliant writing.  It's great, I tell ya!  


Got something to add?  Love some of this shit, too?  Hate some of this shit?  Comment are open below!  

Or do YOU got a THING that I should know about, but maybe don't?  I'm dangerously curious and not yet jaded -- email me: mary@youngmarysrecord.com -- but be forewarned, not yet jaded does not mean not yet opinionated. 

Thanks for reading and aye,

Posted on June 22, 2017 .

WHY I CARE: Justin Payne & Coal Camp Edition

WHY I CARE is a YMR series dedicated to what so many folks behind the curtain here in this fancy music business don't elaborate on : why we really care.  This is not about how an artist performs well on social media, how an artist draws in certain markets, or how an artist's brand is so accessible. Do those things matter? Absolutely. Do I care about these variables everyday of my life in some capacity in my job as a manager? Absolutely.  Is that what drives me to put out records on an artist, take on a management client, or even help someone book a show in a backyard somewhere?  Absolutely not.  The thing that makes me go and never ever wanna stop is the WHY I CARE.   Of course, I intend to talk about lots of music-related topics on this blog, but these posts will always be the most important.  And I couldn't be prouder for the first one to be about Justin Payne.

Photo by: Melissa Stilwell

Photo by: Melissa Stilwell

Why I Care #1 : First Impressions

The first time I saw Justin Payne, he was waiting to take the stage at the V Club in Huntington, WV, wearing a hospital wristband.  

"Is that a hospital thingy on his wrist?" I asked some fat-headed guy in the crowd beside me.

"Oh yeah," Fathead told me, "That's Justin Payne. I don't know him real good, but my girlfriend said he's a real nice guy and he'd probably play if he'd been run over by a car because he's just that way."

"Ah," I said, nodding, "Does he play out a lot?"

Fathead's girlfriend leaned around the side of him to answer me, "No, he don't play out a lot.  I wish he did.  He sounds like Waylon and he even writes some of his own songs."

"Excellent."

I will tell you that, for me --  after being on the road with Shooter Jennings for 2+ years --  "sounds like Waylon" and "writes some of his own songs" does not twist my nobs.  I love Waylon. I love folks that write their own songs.  But Fathead's girlfriend's testimony didn't leave me satiated for this obviously feverish, unwell ginger man to get his show goin' at all.

From left to right: JJ Waters ( Honky Tonk Heroes Association), WB Walker (Old Soul Radio Show), Justin Payne (ill and still amazing), Timmy Ty Childers (New Record on the Way NOW, ya oughta git it, it's real good.)   Photo by: April Cassidy

From left to right: JJ Waters ( Honky Tonk Heroes Association), WB Walker (Old Soul Radio Show), Justin Payne (ill and still amazing), Timmy Ty Childers (New Record on the Way NOW, ya oughta git it, it's real good.)   Photo by: April Cassidy

A note: I'm wrong all the time.  

Second note : I'm right after I'm wrong pretty consistently as well.

Third note: This is an example of that.

I don't remember what Justin Payne even played that night.  But I remember it was good. And I remember the crowd ate it up.  His voice -- sure, it had a Waylon honey tone to it -- but it was still unequivocally his.  The bill was overstacked, too  (always is when WB Walker runs the show because he's too good of a damn tastemaker and the reason I know well over half the good shit I know about, don't tell nobody) - and I bet I saw 12 new faces I hadn't heard play before.  But the next day, someone asked me -- "You see anything really great in West Virginia last night?" and I said, "Yeah, it was all good.  But my favorite was Justin Payne."

He still is.

Photo by : Melissa Stilwell

Photo by : Melissa Stilwell

Why I Care #2 : The Reality of Appalachia

A story unrelated to Justin Payne but totally related to Justin Payne: A lady on a plane heard my Southern accent.  She asked if I was from the South.  I said, yes, Kentucky.  She said, oh you're appa-lay-chain? Yes, appa-la-chun.  She said, oh that place has had some rough times, I've heard.  Yes, ma'am, you could say that, but I promise you more than the rough times, it's a beautiful place with wonderful people.  We talked a bit longer and she discovered I hadn't spent much time there as an adult.  And she asked, tone kind of curious and squeamish, but went on, now that you're out of there, do you think its worse or better than you did when you were there?  I paused, thinking.  And then she said to me, I mean, do they actually know how bad it is?

I think that there's a misconception that Appalachian people don't talk about Appalachian problems the way that non-Appalachian people talk about Appalachian problems.   I know, I know -- what a jumble.  But, you know what I mean?  

One of the first conversations I had with Justin Payne was about coal mining.  As soon as I found out he had a long history in the coal mines, I started in with questions.   Was clean coal real?  Does he personally care about the environment?  What are working conditions like?  What do people in his town that don't work at the mines do?  Will coal technology ever be extinct?  What about alternative energy?  How bad is it? I was basically Oprah-ing him (with no extensive television stage set or hope of winning a free car) and he obliged me.  I was the lady on the plane, and he was me.   He spoke in detail about his complex, well-founded ideas and challenged me on some of my own.  And then, he told me about his idea for this Coal Camp EP.  

In addition to the stigmas of being uneducated, wildly conservative,  and poor -- there's this added notion I come across constantly that my people, the hill people, have no semblance of self-awareness.  You think that we don't know that things are screwed up?  You think coal miners drive to work in the coal mines simply because they don't know any better?  That those men and women haven't ever critically thought on their own about things like the environment, economy, and future?   Or that we've created some folkloric monster who eats our mountain tops, or worse - we just don't notice they're even gone?  When a coal miner goes underground and never comes back out, we know what happened to him.   We're aware.  We talk.  And we're still doing -- in the cases that I consider most purely Appalachian, the cases like Justin Payne - the best that we can.

Photo by: Melissa Stilwell

Photo by: Melissa Stilwell

WHY I Care #3 : Six Beautiful Songs

This collection of songs are written by Justin Payne about his personal experience growing up in Appalachia and living, working in the coal fields and raising a family in Boone County, WV.  They're most certainly his stories.  But as most great writers do, Payne writes what he knows in this accessible way that makes his story turn quickly into our collective story.  On the second track -- Holler Home -- which is my (personally) most played song on the record -- Payne sings : 

"I've been drivin' through the night / I've been drivin' all week long

Listening to old tires whine / like a too-long highway song

Tell me will this wolf survive? / I'm a stranger coming home

Feeling lucky to be alive / I've been away for far too long

Get me back to those green rolling hills / of West Virginia

Ol rough roads  / that lead me to

my holler home ,

where I know that she'll be  / more than happy

just to see me ,

She'll be standing at the screen door / nothing but the shadows on,

back in my holler home."

Ahh.  Content sigh. Here we have this personal and universal ballad of the hard-working man.  I bet I've listened to Holler Home 100 times and particularly never tire of the line "She'll be standing at the screen door, nothing but the shadows on." -- how succinctly Justin draws a picture in the listener's mind of a woman who is both soft and stark (naked, even) and also, waiting. Not just waiting, waiting for him.  As a romantic myself and a woman who - as  I type this - waits with excitement for my own man to come home from being away, I feel you, Justin Payne.  Hell, we all feel you.

While Holler Home is my fan favorite of the moment, the other 5 songs in this collection will knock you right in the feels, too.  And like Holler Home, they're stock full of well-crafted, honest writing.  

On this record, Justin wrote what he knew -- his stories are as light as the sun coming over the Appalachian Mountains and as dark as the Dingess Tunnel.  He's a brilliant voice telling -- simply and beautifully-- some of Appalachia's complex story.   That's why I care.   And that's why you should care, too.

** Get your copy now.  All proceeds will benefit local food banks and charities in Justin's community.


CREDITS // I'm going to write another blog about the experience of cutting my first record on this label and the collaborating I've done with musicians and producers and my YMR Creative team to help me (and most honestly, carry my naive ass) to make any of my YMR releases a reality.  But for this process, I'd like to specifically thank :

Justin Payne - shit, he did write the whole damn thing

Duane Lundy - the brilliant brain behind-the-boards at Shangri-La Studios in Lexington, KY who has always been accommodating and so very open to any and all projects I've brought his way

Colter Wall - who I rely on as my songwriter of songwriters, who keeps me grounded and who I consider my ride-or-die -- and who also sang and played on this'n as well as served as a catalyst for many of the resources and newfound friends that made this possible

Kentucky John Clay - who - regardless of what I ever ask or the associated challenges involved - always comes ready to play, and did play dang near everything on this'n - and who I rely on heavily as my creative partner for his unmatched musical brain and taste

J. Tom Hnatow & Nathan Crockett - who came in the clutch to throw pedal steel and fiddle on this thing with some of the most efficient, lovely playing I ever did hear

Melissa Stilwell - a visionary -- who shot all the photos and video content -- for many long, long hours -- and has been just as personally invested in telling this story as the rest of us.

Connie Collingsworth - our art director -- who is responsible for the package design, art, and layout of this record and who I'm thankful everyday knows how to perfectly fit the aesthetic to the artist and their songs.

Bobby Simmons - our wonderful manufacturing maniac at Nashville Tape Supply - who keeps my brain train on the rails to make quick production deadlines as well as has been more than accommodating to walk me through this process so sweetly as can be as a newbie client, 

THANK YOU all from the bottom of my heart for not refusing this muse.

 

Posted on June 16, 2017 .

Howdy, folks.

Welcome to the Young Mary's Record Co. blog.

The thoughts and opinions expressed here are never directly reflective of the artists on this label -- but the direct expression of me, Young Mary -- and when otherwise noted, members of my Lionpack and the various guest bloggers I have somehow carnied into joining our beautiful circus.

While the YMR brand has been involved with many artists, brands, and projects over the years -- 2017 marks the year of our first official releases -- I am so proud to be the home of music from Colter Wall, David Vaughn Lindsey, and Justin Payne.   You can read a little more about those guys and their records on our RELEASES page.

CW Album Cover.png

For some context -- As I write this post, I'm sitting in the hotel lobby of the Holiday Inn Express in Birmingham, England.  I've had myself half of a chocolate croissant this morning and a regrettable cheeseburger (Brits -- can you please get your act together on a damn meat sandwich?) last night.  I'm here because I'm currently on tour with Colter -- who I also manage -- and who is also one of my very best friends.  Colter is playing gigs here with Brent Cobb (brilliant artist from Atlantic: HERE) and John Clay ( brilliant artist in the YMR family: HERE).  Also in our gang are Ash Seiter and Travis Blankenship (found on the LIONPACK page) who are my two pillars of logistics and quite literally keeping this ol' train on the rails.  What I'm getting at is I'll never be the type of label owner (or manager) you can get in touch with by scheduling with a secretary and meeting me in a glass-walled office.   What I'm getting at, part deux : This label isn't for weak shit.   We play hard.  We work hard.  We only fuck with fire.

Don't want to know this much personal shit about me, like what I ate for breakfast?  That's all fine.  Just meander away from the blog and hang out on the RELEASES page or e-swipe that sexy credit card of yours in the STORE.  

Do like feeling as connected to me as I feel to these artists and this cause?  Come back and read blog #2 : Why I Care.  And in the meantime,  follow the YMR Facebook or Instagram.  

And aye, Never Refuse a Muse,

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Posted on May 26, 2017 .